Logic Pro: How to Create White Noise Mayhem!

Following the last episode, in which I showed you how to bring layers of sophistication to duplicated Pad layers, this week we’re going to add a new White Noise Oscillator to the Pads to bring some much needed dust and fizz. 👉 Want longer more In-depth videos Join the Community➔ https://learn.jonobuchananmusic.com?utm_source=JB_YouTube&utm_medium=referral&utm_campaign=yt_channel&utm_content=yt_site_link The devil to the pads’ angelic quality, if you will. It’s often said that music made digitally is too clean and cold and White Noise provides one way to rough things up a little bit and bring a little bit of edge. Here, we’ll see how we can either add the White Noise directly to the Pads, or to slightly de-couple them, so that there’s a more subtle relationship between parts. -------------------------------------------------------- Are you Interested in Media Composing ? The Complete Orchestral sample Programming Bundle: 👉https://learn.jonobuchananmusic.com/p/orchestral-programming-compete?utm_source=JB_YouTube&utm_medium=referral&utm_campaign=sp03_launch&utm_content=ytstream_bundle Exclusive Presets for Logic Synths ➡️ http://jono-buchanan-music-s-school.teachable.com/p/sonic-resources-cinematic-pads-01-709242?utm_source=JB_YouTube&utm_medium=referral&utm_campaign=yt_pads_sell -------------------------------------------------------- 00:00 Intro and Track playback 01:14 Why is Noise so great? 02:23 Adding a Noise Generator via the ES P 03:12 Configuring the White Noise layer 05:00 Creating a long note 06:00 Adding the White Noise to the Pad Stack 07:49 Adding Cutoff Automation to the White Noise 09:08 Independently Gating the White Noise 12:01 Playback with the Pads 12:53 Sending to spatial FX and using Side-Chain Compression 14:11 Varying Gate Release 15:27 Full Track playback 16:20 Summary