Add VFX to Cinematic RAW and LOG Footage (the right way) | ACES Part 2

Add VFX to Cinematic RAW and LOG Footage (the right way) | ACES Part 2

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Add VFX to Cinematic RAW and LOG Footage (the right way) | ACES Part 2
ACES Kickstart Kit (now FREE): https://gum.co/HQdcC To support more tutorials like this: https://patreon.com/inlightvfx In this video, we dive into Davinci Resolve and Blender to see how to utilize ACES to easily add VFX to RAW and LOG footage. We’ll be building on the concepts of color gamut and gamma that were covered in Part 1. So if you haven't watched the first part yet, go check it out! Mario Cazares’ tutorials: ACES Setup in Blender: https://www.youtube.com/watch?v=B7FWNNDXBl0 Image Configuration: https://www.youtube.com/watch?v=PkWT7HSEfJY Daniel Brylka's awesome Blender+ACES resources - https://www.toodee.de/ Filming help: Tim Moder - https://www.instagram.com/timothymoder/ Chloe Collins Modeling help: Spacecraft Model - https://www.blendswap.com/profile/152246 Robot Model - https://www.twitter.com/artfromrachel More InLightVFX: https://www.instagram.com/inlightvfx https://www.twitter.com/inlightvfx Thank you to my awesome Patrons! Frank Goertzen | Gracey | Alex G Lex | sherlock1217 | Gehrig Gosselin | Trelligan | XLR8Designers | Tomer Feiner | JuanVFX | shandan thakur Proverbs 16:18