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William Byrd’s Mass for 3 Voices is one of the most exquisite examples of sacred polyphony from the Renaissance era. Composed in the late 16th century, this Mass was written for clandestine Catholic worship in Protestant England, where the public celebration of the Latin Mass was forbidden. Despite the risks, Byrd remained devoted to his faith, crafting a setting that is both deeply reverent and musically intricate.
Unlike the grand polyphonic Masses of earlier composers, Byrd’s setting for three voices is intimate and meditative, emphasizing clarity of text and purity of harmony. The Kyrie, Gloria, Credo, Sanctus, and Agnus Dei unfold with delicate counterpoint and flowing melodies, creating an atmosphere of prayerful reflection. This work not only stands as a masterpiece of Renaissance choral music but also as a symbol of resilience and devotion in a time of religious persecution.
Experience the timeless beauty of Mass for 3 Voices, where sacred chant and polyphony come together to elevate the soul in worship.
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➤ Music by:
Anonymi Cantores, Vox Nova and Bernardino Streito
From the album 'Palestrina & Byrd - Polifonie a confronto'
℗ 1986 Pro Civitate Christiana
Listen this album on all digital platforms: https://lnk.fuga.com/anonymicantoresvoxnovaandbernardinostreito_palestrinabyrdpolifonieaconfronto
00:00 Mass for 3 voices: I. Kyrie
00:43 Mass for 3 voices: II. Gloria
05:26 Mass for 3 voices: III. Credo
12:50 Mass for 3 voices: IV. Sanctus
15:03 Mass for 3 voices: V. Benedictus
16:03 Mass for 3 voices: VI. Agnus Dei
➤ Image:
"Interior of a Gothic Church" By Peeter Neeffs I
Museo Nacional Thyssen-Bornemisza, Madrid
➤ Contact:
[email protected]
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