Why this cinema camera STILL can’t be beat

Ursa Mini Pro 4.6k G2 cinema camera NEW - https://bhpho.to/4aIuXQL or USED - https://shorturl.at/oSJao Main camera - https://bhpho.to/4aIuXQL Shotgun mic - https://bhpho.to/49ceOmx Table mic - https://bhpho.to/3UmS7Y4 Audio recorder - https://bhpho.to/3w6tqFm Favorite tripod - https://bhpho.to/3W1wyxg Music by Musicbed - https://fm.pxf.io/jakehayden https://www.instagram.com/jhayden998/ Chapters 0:00 Have you checked your backyard for buried cameras? 0:25 Meet my URSA 4.6k G2 0:35 The history of the URSA line 1:24 URSA 4.6k G2 IO selection 2:02 How I rig my URSA 4.6k G2 3:03 URSA 4.6k G2 Ergonomics 3:39 URSA 4.6k G2 Build quality 4:12 Internal NDs in the URSA 4.6k G2 4:40 URSA 4.6k G2 Resolutions and frame rates 5:10 URSA 4.6k G2 Codec selection 5:26 URSA 4.6k G2 readout and dynamic range 5:52 URSA 4.6k G2 color science and image quality 10:14 Closing thoughts #blackmagicdesign #ursaminipro #davinciresolve #ursaminipro4.6kg2 #ursaminiprog2 #blackmagic #ursag2 #cinematography #filmmaking #cinemacamera #blackmagicursa #davinciresolvecolorgrading #bestcinemacamera #budgetcinemacamera #affordablecinemacamera