KIT LINK: https://kit.co/Gloryvisuals/our-film-gear
With hundreds of FX6 rig build videos already out there, you might be wondering, why another one? Well, in this video, we're sharing our unique approach to rigging out the Sony FX6. We've spent countless hours refining our setup to make it as efficient, quick to build out, and easy to tear down as possible. Whether you're looking for power solutions, cable management tips, or ways to streamline your rig, we’ve got you covered.
We’ll walk you through the core components of our setup, including the Tilta V-Mount Plate, our ARCA Swiss standard for quick mounting, and the essential accessories that make this rig perfect for our needs as a video production company. From monitor mounting with the SmallRig HawkLock to custom side plates for wireless transmission, we’re covering every detail that can help you optimize your rig.
This video is packed with tips and tricks, whether you’re new to the FX6 or looking to fine-tune your existing setup. Plus, we’ll give a shoutout to our favorite budget monitor, the FeelWorld LUT7S, which has been a game-changer for our shoots.
If you're in the market for a more streamlined, efficient, and professional rig, you’ll definitely want to check this out. Don’t forget to like, subscribe, and hit the notification bell to stay updated on all our latest video production tips and gear reviews!
0:00 - Introduction to the FX6 Rig Build
0:32 - Why Another FX6 Rig Video?
1:20 - Choosing the Right Cage for the FX6
2:45 - The Core of the Kit: Tilta V-Mount Plate
4:00 - Powering the FX6 Efficiently
5:10 - Our ARCA Swiss Standard Setup
6:50 - The Perfect Base Plate for FX6
8:15 - Sony FX6 Top Handle Overview
9:30 - Monitor Mounting Solution
11:00 - Battery Choices for the FX6
12:20 - Cable Management with Sprigs
13:30 - Mounting the Sony Tilt Screen
14:50 - Side Plate Customization for Wireless Transmission
16:40 - Attaching the Teradek for Wireless Monitoring
18:10 - Expanding the Rig with Rails
19:30 - Favorite On-Camera Monitor: FeelWorld LUT7S
21:20 - Considerations for On-Camera Microphones
22:20 - Final Thoughts and Conclusion