Translating electronic music into a live performance context presents unique challenges compared to other forms of live music. Often, just one or two people must manage dozens of elements per track, which would be impossible to perform live in a traditional way. Luckily, there are various approaches to solve this problem without simply hitting play on a prerecorded set. So, let's take a look at some of them as exemplified by artists such as Kink, Legowelt, Mr. G, Overmono, Nouveau Monica, Suzanne Ciani or Floating Points.
Studio Setup:
Arturia Audiofuse 16 Rig https://thmn.to/thoprod/577287?offid=1&affid=1555
Roland TR8S: https://thmn.to/thoprod/434284?offid=1&affid=1555
Korg Nano Kontrol 2: https://thmn.to/thoprod/268267?offid=1&affid=1555
Elektron Octatrack: https://thmn.to/thoprod/509423?offid=1&affid=1555
Deckards Dream MKII: https://thmn.to/thoprod/499251?offid=1&affid=1555
Nord Drum 3P: https://thmn.to/thoprod/386116?offid=1&affid=1555
Buchla Easel Command 208c
MAM ADX1
Arturia CS80 VST: https://thmn.to/thoprod/581819?offid=1&affid=1555
Ableton Live Suite: https://thmn.to/thoprod/587435?offid=1&affid=1555
Moog Grandmother: https://thmn.to/thoprod/439985?offid=1&affid=1555
00:00 Intro
00:30 Mr. G
01:08 Legowelt
01:51 Kink
02:42 Jonas Landwehr & Felix Fleer
3:59 Nouveau Monica
05:04 Midi Controllers
09:39 Going off the grid
11:12 Performative Multi-effects
11:47 Performing Stems Live
14:37 Recreating the original recordings timbre for live-sets
15:17 Suzanne Ciani on Presets
16:00 Floating Points
17:24 Disclosure
18:25 Outro
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