Shostakovich - The Piano Concertos Nos.1,2 (Piano: Dmitri Shostakovich - Ct.rc: André Cluytens)

Dmitri Shostakovich (1906-1975) The Piano Concertos played by D.Shostakovich 🎧 Qobuz https://bit.ly/3qnHl38 Apple Music https://apple.co/376bf2T 🎧 Amazon Music https://amzn.to/3HPBYDR Tidal https://bit.ly/3vQeohp 🎧 Deezer https://bit.ly/37ItxaS Spotify https://spoti.fi/3d5JU46 🎧 Youtube Music https://bit.ly/3LmH5fv SoundCloud https://bit.ly/3wjcrvt 🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本... *Click to activate the English subtitles for the presentation* (00:00-02:35) Concerto for piano, trumpet and strings in C minor, Op.35 00:00 Concerto Op.35 I. Allegro moderato - Allegro vivace - Moderato 06:02 Concerto Op.35 II. Lento 13:48 Concerto Op.35 III. Moderato 15:34 Concerto Op.35 IV. Allegro con brio - Presto - Allegretto poco moderato - Allegro con brio Piano Concerto No.2 in F, Op.102 22:00 Concerto Op.102 I. Allegro 28:31 Concerto Op.102 II. Andante 34:04 Concerto Op.102 III. Allegro Piano : Dmitri Shostakovich Trumpet : Ludovic Vaillant Orchestre National de la Radiodiffusion Française Conductor : André Cluytens Recorded in 1958, at Paris New Mastering in 2021 by AB for CM//RR 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : https://spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : https://bit.ly/370zcMg ❤️ If you like CMRR content, please consider membership at our Patreon or Tipeee page. Thank you :) https://www.patreon.com/cmrr // https://en.tipeee.com/cmrr These recordings provide interesting evidence of how, with the passage of time, performance became a subsidiary aspect of musicianship for Shostakovich. His mastery of pianistic technique was such that the impression given by his recordings of the two concertos is that he had no problems at all in that area. All Shostakovich's recordings are distinguished by his masterly technique and the clean, non legato touch, which is wholly in keeping with the character of his music, especially in the case of the First Concerto. Yet beautiful tone and broad cantilenas are also in evidence, notably in the slow movements of both concertos. He never indulges in superficial effects for effect's sake. His playing conveys his compositional intentions with uncommon clarity and subtlety, and is in many respects individual and inspiring. It demonstrates the versatility of Shostakovich's exceptional talent, and earns him his place in the tradition of great pianism among major composers of our century: Rachmaninov, Bartók and Prokofiev. Dmitri Shostakovich PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxOGmNLwRgFpWT1dJqSVrsgI