Sex and the City: Love at the End of History

The first 1,000 people to use this link will get a 1 month free trial of Skillshare: https://skl.sh/broeydeschanel08211 Let's overthink the sh*t out of this show! Song used in intro/outro - "You've Got the Love" cover by Milka Christmas Choir https://www.youtube.com/watch?v=cvZQRE97t3w&ab_channel=Goran-MP-Kamenovic Instagram: https://www.instagram.com/broey_deschanel/ Twitter: https://twitter.com/DeschanelBroey Patreon: https://www.patreon.com/broeydeschanel SOURCES: Jane Arthurs “Sex and the City and Consumer Culture: Remediating Postfeminist Drama”, Feminist Media Studies, 3:1 (2003) pp.83-98. Bonnie J. Dow. “Hegemony, Feminist Criticism, and The Mary Tyler Moore Show” Critical Studies in Mass Communication, 7 (1990), 261-274. Jane Gerhard. “Sex and the City: Carrie Bradshaw's queer postfeminism” Feminist Media Studies, 5 (1) (2006) pp. 37-49. Angela McRobbie. “Post‐feminism and popular culture” Feminist Media Studies, 4 (3) (2004) pp. 255-264. Angela McRobbie, Lynn Spigel, Yvonne Tasker. Interrogating Postfeminism: Gender and the Politics of Popular Culture, Duke University Press (2007). Emily Nussbaum. “Difficult Women: How “Sex and the City” lost its good name” New Yorker (2013). Ariel Saramandi. "A Novel About Sleeping Through the ’90s, Designed to Wake You Up" Electric Lit (2018): https://electricliterature.com/a-novel-about-sleeping-through-the-90s-designed-to-wake-you-up-in-2018/ Belinda A. Stillion Southard. “Beyond the Backlash: Sex and the City and Three Feminist Struggles” Communication Quarterly, Vol. 56, No. 2, (2008) pp. 149–167. David Zurawik, “The Trouble with 'Ally' Analysis: Fox's pseudo-feminist, 'neurotic female' is sending mixed messages on gender and workplace issues” Baltimore Sun (1998).