My Efficient Photo & Filmmaking Workflow in F1
This is how I work. It’s not the only way, but it’s the way I’ve figured out that keeps me fast, efficient, and sane, especially in high-pressure places like Formula E and F1 weekends.
I go through how I handle photography, like rating in-camera, editing JPEGs fast, and keeping RAWs for later. Then I talk about my filmmaking setup, shooting proxies, and why I’ve ditched monitors altogether. Everything here is built to save time, reduce mental load, and keep things running smooth while still delivering high-quality stuff.
It’s not some ultimate workflow or anything like that, it's just what works for me. But if you’re into this kind of thing, maybe you’ll find some ideas to steal.
If you like this video, let me know in the comments, or hit me up elsewhere:
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