In the second part of our journey into Orchestral Sample programming, we’re going to take the Violin 1 part created in Episode 1 and develop it into a fuller string arrangement.
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This will allow us to bring a number of different strands from the channel together, most notably, the value of having some Music Theory knowledge at your fingertips.
We’ll start by harmonising the Violin 1 part with a supporting Cello line, learning in the process how to duplicate the MIDI Controller data from Violin 1 to use on the Cello line (and whether that helps or hinders us). Then we’ll look at writing more dynamic parts for the middle Violin 2 and Viola parts, learning how to use MIDI Delay to manage timing between long and short articulations. Along the way, we’ll learn some useful Key Commands and discover that Double Basses can bring about the end of civilisation.
Shall we?
Part 1 ➡️
https://youtu.be/zjch6xmN67o
Part 2 ➡️
https://youtu.be/7DpCCSsJPfw
Part 3 ➡️
https://youtu.be/L4ObLLs0fXQ
Part 4 ➡️
https://youtu.be/LMBmIL9iAPI
All the videos in this series can be found here: ➡️ https://www.youtube.com/playlist?list=PL6JM7SQmyRYz5eHmpztXLf-xUC6BhaxKn
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The Complete Orchestral sample Programming Bundle:
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00:00 Intro
00:54 Part 1 recap
02:12 The plan for Part 2
03:09 Creating Tracks for remaining String parts
06:10 The advantage of adding a Piano track for writing
07:40 Mapping out the harmony on the Piano
09:29 Recording the Cello part
10:24 Managing MIDI data which appears by accident
12:08 Copying MIDI CC data from Violin 1 to Cello
14:12 Be careful!
14:49 Customising the Cello MIDI CCs
17:58 Exploring Short Articulations for Violin 2
19:31 Choosing and recording Violin 2 notes
21:43 Quantising Violin 2 and editing Velocity
25:24 Controlling Volume balance between instruments
26:47 Finishing the Violin 2 part
30:04 MIDI Delay
35:40 Be careful again!
36:15 Creating the Viola part
41:05 Reminding ourselves about Volume balances
41:36 Double Basses
43:44 Summary
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