I go in depth on drum sound in live music. Here you will learn my philosophy on micing, phasing and compressing. I show real world examples with rock, pop and jazz drums.
AND ... you will get the final answer on in you should flip the polarity or not.
Rock drums from 9 Locks Down https://open.spotify.com/artist/7Gl3VjfUx00eLuUCsp752h?si=Vibbn4DwQb6AoF3oio-kuQ
Pop drums from Stonemountain Orchestra https://open.spotify.com/artist/7fnvwuQnJfYw3siScvtXGz?si=AHyYZUnXQG65KtdXRkzT5A
Download the session file from this episode + presets and templates from my website
https://joevegna.com/lv1/
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Plugins from Waves: waves.alzt.net/B0M2dW
Microphones used in examples:
Rock drums
Kick - Lewitt DTP 640 rex
Snare top - Shure sm57
Snare bottom - Lewitt DTP 340 TT
HH - Röde NT5
Toms - Lewitt DTP 340 TT
OH - Lewitt LCT 550 & 340
Pop drums
Kick - Audix D6
Snare top - Shure sm57
Snare bottom - beyerdynamic TG D58
HH - Slate - Slate Digital ML-2
Toms - Lewitt DTP 340 TT
OH - Lewitt LCT 550 & 340
Jazz drums
Kick - Shure B52
Snare - Shure sm57
OH - Shure KSM 137
Let me know if you have any questions.
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00:00 Intro
00:25 Microphones
04:56 Room sound
06:15 Basic drum sound
19:37 Rock sound
28:17 Pop sound
36:47 Jazz sound