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* Hans Zimmer’s score for Interstellar dispensed of a lot of the musical language that had been so commonplace in his scores before this film. Driven by the desire to create a sound-world that he, and director Christopher Nolan, hadn't yet explored, Zimmer created music full of soft, introspective sounds: sustained organ melodies and chords, hushed orchestral textures and transparent, widely-spaced harmony. In this essay, I look at how this sound-world perfectly captures the isolation and loneliness of space, but I also consider, more significantly, how Hans Zimmer’s music realises the emotional message that is at the heart of the film.
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FURTHER WATCHING
Hans Zimmer - making of INTERSTELLAR Soundtrack:
https://www.youtube.com/watch?v=L_8t2VlwK4w
DP/30: Interstellar, Hans Zimmer:
https://www.youtube.com/watch?v=jU5rfokh4vw
FURTHER READING/RESEARCH
Interstellar de Hans Zimmer : plongée musicale au cœur des drames humains, par-delà l’infiniment grand. Pour une autre approche de l’esthétique zimmerienne: https://www.researchgate.net/publication/329639214_Interstellar_de_Hans_Zimmer_plongee_musicale_au_coeur_des_drames_humains_par-dela_l'infiniment_grand_Pour_une_autre_approche_de_l'esthetique_zimmerienne
#Interstellar #HansZimmer