How Royalties Work for Producers, Songwriters, Artists, Labels; Release Strategy (Ari Q&A Part 5)

Order THIRD EDITION of How to Make It in the New Music Business here: https://book.aristake.com This week Ari answers more of your questions! If you’d like to submit to our next round of questions, please sign up to our email list: www.aristake.com 02:17 What's the best way to prepare for your first EP launch? 04:11 How should I split royalties with my producer and engineer? 11:36 How should my band roll out our forthcoming album's waterfall release? 17:26 How much do streaming services pay in mechanical and performance royalties for each stream? 20:56 What's the difference between owning the masters vs. owning the digital sound recordings and performance rights? 23:46 How do I break into the Special Events market with symphony and orchestral work? 25:44 If an artist plays your song in a concert, how will you be compensated? 27:34 How do I get in contact with music publishers? 38:14 Conclusion Subscribe to The New Music Business: https://aristake.com/nmb Ari's Take Academy (use code NMB for 10% off): https://aristakeacademy.com Watch more discussions like this: https://bit.ly/3LavMpa Connect with Ari’s Take: Website: https://aristake.com Instagram: https://www.instagram.com/aristake_ TikTok: https://www.tiktok.com/@aris.take Twitter: https://twitter.com/ArisTake YouTube: https://www.youtube.com/user/aristake1 Connect with Ari Herstand: Website: https://ariherstand.com Instagram: https://instagram.com/ariherstand Twitter: https://twitter.com/ariherstand YouTube: https://youtube.com/ariherstand Edited and mixed by Maxton Hunter Music by Brassroots District Produced by the team at Ari’s Take #NewMusicBusiness #MusicRoyalties #ReleaseStrategy