FASTER Editing with PROXY Files in Premiere Pro 2025

The future of music for video is customizable, get 2 months free of unlimited music with Track Club: https://www.trackclub.com/premiere-gal?via=premiere-gal Thanks to Track Club for sponsoring this video! Using my link to sign up helps support the Premiere Gal channel. ______________________________________ In this video editing tutorial, Premiere Gal shows you how to edit faster with proxies. Premiere Gal will show you how to setup your ingest settings to create automatic smaller proxy versions of your large high resolution footage so you can edit faster in Premiere Pro. Once it's setup, the process is easy! Sample clips are from Raw Film, here: https://raw.film/lifetime?code=pgal Try Adobe Premiere Pro: https://prf.hn/l/8jynodX/ Want to know about which codes work best with different systems? Remember to choose a proxy video codec that works best for your machine & workflow. ProRes is a safe bet for most computers, but if you have an Intel Quick Sync CPU which is optimised for H.264, then selecting a H..264 proxy is a good choice. My editor and I have a Intel Core Ultra 9 CPU which supports Quick Sync for accelerating H..264 & H.265. So check if you have Quick Sync, if not, you might want to choose a ProRes codec. If you have an AMD Threadripper, I'd choose either ProRes or DNx Codecs for your proxies. If you're not sure, I recommend running an experiment on some proxy codecs on your machine, try a ProRes vs H.264 to see which ones perform best on your CPU. An obvious benefit of H.264 is size, it's a lot smaller! Please note that these machines listed below are just examples of CPUS best for H.264 vs ProRes codes, have a look at the tech specs and compare to your machine: Works best for H.264: https://www.pugetsystems.com/solutions/video-editing-workstations/adobe-premiere-pro/buy-192/ Works best for RAW (Pro Res DNxHD): https://www.pugetsystems.com/solutions/video-editing-workstations/adobe-premiere-pro/buy-249/ ______________________________________ GAL's TOOLS & GEAR ➜ Premiere Gal Toolkit (1700+ FX, Transitions, and Presets): https://premieregal.com/toolkit ➜ Premiere Gal Editing ShortCut Keyboard: https://premieregal.com/keyboard ➜ Camera & Gear: https://premieregal.com/gear ➜ Premiere Gal Merch: https://premieregal.com/merch ➜ eBook "The Video Editors Checklist" https://shop.premieregal.com/products/ebook-the-video-editors-checklist ______________________________________ TIMECODE CHAPTERS 00:00:00 - Introduction 00:00:16 - The Importance of Proxies 00:00:39 - Setting Up Proxies 00:01:36 - Choosing the Right Codec 00:02:05 - Proxy Location and Watermark 00:02:29 - Importing Clips and Creating Proxies 00:02:47 - TrackClub Sponsorship 00:04:54 - Checking on Proxies 00:05:09 - Working with Proxies in the Timeline 00:06:06 - Adjusting the Color 00:06:52 - Exporting with Proxies 00:08:46 - Conclusion ______________________________________ FOLLOW ME ON SOCIAL ➜ http://instagram.com/Premiere_Gal ➜ https://tiktok.com/@Premiere_Gal ➜ http://twitter.com/Premiere_Gal ➜ http://facebook.com/PremiereGal ➜ https://patreon.com/PremiereGal Website ➜ http://premieregal.com For sponsors: [email protected] Affiliate Disclaimer: Some of these links in this description are affiliate links. I'll earn a small commission if you make a purchase and it's no additional cost to you. #VideoEditing #PremierePro