Tutorial on the Workflow to ingest and create ACES Linear plates for VFX work from different RAW and Debayered formats using DaVinci Resolve
Doing a example Roundtrip from Resolve to Nuke.
Footage Used:
Sony X-OCN
ARRIRAW
Prores444(Alexa LogC)
Blackmagic BRAW
DJI Cinema DNG
RED R3D
UPDATE: I took another look at the Slog3/sgamut3.cine issue and it turns out Resolves Colorspace Transform is the one not matching ACES or the straight up sony debayer, so the limitation of not beign able to use the acesTransform OFX to use a IDT as a ODT is a issue here, I would recommend writing the Slog3/Sgamut3.cine files as DPX straight from nuke if you want to use that workflow.
All Footage free to download from the manufacturers, very useful when testing workflows.
(BRAW shot myself)
Footage download sources:
https://www.arri.com/en/learn-help/learn-help-camera-system/camera-sample-footage
https://www.dji.com/de/zenmuse-x7/info#downloads
https://www.red.com/sample-r3d-files
00:00 Introduction
01:52 Sony Venice X-OCN Ingest
04:27 View Transform
03:37 Arri Alexa Arriraw&Prores Ingest
09:49 Blackmagic BRAW ingest
11:46 RED R3D Ingest
15:28 DJI Zenmuse X7 DNG Ingest
18:43 Exporting EXRs
24:24 Import into Nuke
28:17 Roundtrip AlexaLogC DPX
31:43 Roundtrip AcesCCT DPX
36:09 Roundtrip Aces-2065-1 EXR
39:53 Resolve Colorspace Transform mismatch (see description)
41:13 Outro