Color Roundtrip from Dailies to Final Grading Using Davinci Resolve: Part One [Partner Provided]

Color Roundtrip from Dailies to Final Grading Using Davinci Resolve: Part One [Partner Provided]

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Color Roundtrip from Dailies to Final Grading Using Davinci Resolve: Part One [Partner Provided]
In this set of videos you will learn how to make a color roundtrip from set to post. In the first part of this series, we are going to learn how to set up a project for dailies, add metadata information, create CDLs, different shot match techniques, and how to export metadata information for different types of workflows. 00:00 - Intro to color roundtrip workflows 05:14 - Dailies lab task 06:00 - Setting a project Resolution 07:35 - Setting a reel name 07:53 - Project configuration for a CDL 09:10 - Color management configuration 09:23 - Audio and video sync 12:36 - Adding metadata to the clips 12:47 - Naming clips using metadata 16:44 - Dailies lab color task 17:08 - Importing Show-look 17:46 - Importing a CDL 19:02 - Creating CDLS 19:38 - Matching Clips 21:33 - Technical QC 22:24 - Creating editorial proxies 23:02 - Adding data burn in 25:05 - Creating dailies for review 27:34 - Exporting an ALE-CDL 28:16 - Exporting a CSV 29:21 - Conclusion Links: ACES Set Up Video - https://youtu.be/u9Rvm5xiuhk Color Roundtrip Video Part 2 - https://youtu.be/-BiEe8zZS0I Framing Chart Best Practices - https://partnerhelp.netflixstudios.com/hc/en-us/articles/1500000259822-Framing-Charts-Best-Practices ACES Deliveries Video - https://youtu.be/2-H3jgXXTiQ Credits: Andrea Tellez, Catalina Tellez - Graphics and Animation Diego Yhamá - Voice and Project Management This video was developed in partnership with Diego Yhamá. Subtitles are available in French, Japanese, Korean, Portuguese (Brazil) and Turkish. A Spanish (Latin America) version of this video is also available here: https://www.youtube.com/watch?v=T5Ap8e5ouj8