Achieve Color Grading Mastery in DaVinci Resolve (my philosophy)

Achieve Color Grading Mastery in DaVinci Resolve (my philosophy)

34.090 Lượt nghe
Achieve Color Grading Mastery in DaVinci Resolve (my philosophy)
My Signature LUT Collection® - https://www.mitchellmullins.com/legacylutcollection After spending 8 years in DaVinci Resolve, I figured it's time to pull back the curtain on my workflow. I tried to condense everything down to the most fundamental components and focus on only what you need to know to create great grades. As shown in the video, the DCTL's are linked below. The Creative Approach (Newsletter) - https://www.mitchellmullins.com/newsletter CKC Mac Viewing Transform: https://procolor.ist/apple-display-transform/ Mono Nodes (Middle Grey DCTL): https://mononodes.com/middle-gray-dctl/ TetraInterp & TetraHSV (Matrix DCTL): https://github.com/hotgluebanjo/TetraInterp-DCTL?tab=readme-ov-file Nayatani_HK (DCTL): https://github.com/jedypod/open-display-transform Once Downloaded, Follow this folder directory.. /open-display-transform-main/look-transforms/resolve/“Nayatani_HK.dctl” Research References: Helmholtz-Kohlrausch - https://opg.optica.org/oe/fulltext.cfm?uri=oe-31-10-15637&id=529420 Gamma 2.2 - https://www.cambridgeincolour.com/tutorials/gamma-correction.htm Realistic Film Grain Rendering - https://www.lirmm.fr/~nfaraj/publications/film_grain_ipol/2017_Newson_film_grain.pdf Tetrahedral Interpolation (performance) - https://scholarworks.calstate.edu/concern/theses/x346db39q Where is Middle Grey? - https://xtremestuff.net/where-in-the-world-is-middle-gray/ Join Filmsupply - https://filmsupply.sjv.io/Mmn2G2 Join Musicbed - https://fm.pxf.io/9g41jj 00:00 - Introduction 02:27 - Project Setup 05:45 - Color Space Transform 08:24 - Why DWG? 09:20 - Gamut vs Gamma 11:54 - Navigating Our Perception 14:12 - HDR Exposure 16:55 - Linear Balance 19:21 - Contrast Fundamentals 20:42 - Understanding Middle Grey 22:59 - Guiding The Eye 24:27 - Working Photometrically 25:40 - Corrections vs Look Development 27:24 - Saturation (Color Models) 31:31 - The Matrix 35:34 - Split Toning 40:11 - No Split Toning (I Lied) 40:54 - “The Film Look” 42:26 - Film LUT Diagnosis 44:38 - My Issue With Film Emulation 45:56 - The Legacy LUT Collection® 47:55 - HSV DCTL 51:00 - Post Con (No Rules!) 52:43 - Secret Sauce (HK) 53:49 - Make The Image Feel “Alive” 55:42 - Workflow Speedrun No.1 01:00:30 - Workflow Stripped No.2 01:03:15 - Min-Maxxing No.3 01:05:29 - One Click Wonder 01:06:06 - Closing Philosophy Music: Massano - Betrayal drake & 21 savage - major distribution (destxmido remix) Something About You (with Dwelyr) - Instrumental Bound to Divide - Parabola Bound to Divide - Tears (with Lauren L'aimant) - Instrumental Dezza - Holonya Matt Fax - Autotron akiaura, LONOWN - pussypodium (Slowed) (SAIBOTAJE EDIT) siouxxie - keygen.exe (slowed & instrumental) Klur - I Knew (with Innerverse & Kwit) - Instrumental Tony Anderson - Lune Matt Fax - Alone (with Judah & Luke Coulson) [Extended Version] - Instrumental Red X - Starfall Sync ID: MB01ORAHIXCVRTH MB01NDCRYD6KMSM Color Grading Mastery in DaVinci Resolve 19, 2025 Filmmaking Masterclass, Color Grade cinematic films, LUTs, Mitchell Mullins