ACES Set Up in DaVinci Resolve [PARTNER PROVIDED]

Learn about the Academy Color Encoding System (ACES) and how to work with it in Blackmagic DaVinci Resolve Studio. This video covers the basics of ACES, setting up a pipeline, importing footage and working through some common scenarios. 00:00 - What is ACES? 03:44 - ACES Pipeline 06:14 - Project settings ACES 10:08 - Import Raw Files 12:57 - Import Compressed Files 15:18 - Setting up the IDT in the color page 16:03 - Import DCTL for an IDT 18:08 - Working with graphic files 18:48 - Working with ACES ST 2065-1 files 20:00 - Blue Highlight Problem Watch next: ACES Deliveries in DaVinci Resolve: https://www.youtube.com/watch?v=2-H3jgXXTiQ Links: Look Modifications Transform: https://community.acescentral.com/t/lmts-part-1-what-are-they-and-what-can-they-do-for-me/790 Red Wide Gamut DCTL: https://community.acescentral.com/t/does-aces-support-red-widegamutrgb-log3g10-and-ipp2/1427/3 Blue Highlight Problem: https://community.acescentral.com/t/colour-artefacts-or-breakup-using-aces/520 Credits: Andrea Tellez, Catalina Tellez - Graphics and Animation Diego Yhamá - Voice and Project Management This video was developed in partnership with Diego Yhamá. Subtitles are available in French, Japanese, Korean, Portuguese (Brazil) and Turkish. A Spanish (Latin America) version of this video is also available here: https://www.youtube.com/watch?v=Jk1fKgzy0yE